The Asymmetrical Power of Muybridge" is an experimental video essay that explores the inherent violence of the act of capturing motion. The work is built upon the historical paradox of Eadweard Muybridge: a man acquitted of murder on the grounds that his photographic experiments were too valuable to society to be interrupted. By morphologically juxtaposing the 'scientific' entrapment of Muybridge’s horse with the anarchic movements of a contemporary basketball player, the film examines the 'asymmetrical power' of the creator over the subject. Through hyper-tonic montage and a deliberate anachronism—basketball was invented shortly after Muybridge’s breakthroughs—the piece identifies the 'shooting' of the camera with the 'shooting' of a gun. It poses a critical question: In our quest to archive life, do we inevitably become its captors?

Two fellow animators, Sergio and Christina, comment on two women sitting in a bar, One of the animators sees them in 2d and the other in pixelart. The ladies have forgotten to bring cash and the bartender, although friendly, will grumble about the credit card charge. At the same time, the world around them is ending, the arrival of the ancient CTHULU from the books of H. P. Lovecraft is a fact. How many things around us are actually important? Based on a “true” story

A volcano is threatening them with its explosion. However, it seems, that the fear for its explosion cannot get over the fear for the explosion, that their love may cause. They have been married for years. But he has been unable to get over his jealousy. And they keep on going. Because their love exceeds everything, and there is but their kiss, that can truly speak about themselves and their love.

An analog contemplation on crossing the road to the other side in a dreamscape.

I spoke to the electrical towers. Who knew they could talk? Or maybe they're just messengers. Like neurons talking in a network. Towers Call is part of a larger ongoing animation project called North Star, exploring converging notions of space, electric currents, networks, communication signals, and thought. I’m playing with these themes through a series of animations and videos that bring together animated views of high-tension electrical towers and power lines, tiny hand-drawn neurons and synapses, radio telescopes, and the human figure interacting with them. I’m aiming for a sense of connectedness, embeddedness, and consciousness. But not so much for answers – these are musings, not proofs. I’ve become increasingly drawn to these structures through this process. They have a kind of magnetism to them. Walking below the electrical towers and along their corridors provides a strange sense of connection, and even comfort. I begin to wonder: Might these networks “think” in the way that neurons do as they send and receive signals? Could they somehow be aware? How do we connect to them beyond our physical bodies? Where do we end and they begin? Some of the imagery and ideas in this animation were developed during a 2026 residency at Signal Culture in Binghamton, NY. The audio here is composed using sounds sampled from the ALMA Sounds project of the ALMA observatory in northern Chile. These sounds were once radio waves from the Orion Nebula – traveling nearly 1500 years at the speed of light – captured and transformed into audio by astronomers and engineers.

In a sterile bedroom, a woman awakens to find a serpent beside her. Instead of reacting with fear, she is drawn into a slow, intimate interaction. The serpent becomes more than a creature — it is a manifestation of something deeper: instinct, temptation, memory, and transformation.

"itself all dry / leaf / rustle [and] splinter akin [to] skeletal bone [but] not animal... " In 2025, South Australia emerged from a severe summer drought, accompanied by searing heat, bushfires and dying woodlands, only for the coastal waters to be devastated by a harmful algal bloom that killed millions of marine creatures. During winter, at the peak of the bloom, massive storms combined with high tides and large swells pounded the beaches leading to unprecedented damage. The clear driver for these events is anthropogenic climate change exacerbated by habitat destruction and pollution. The domains of the four classical elements - earth, fire, water, air - have been severely disrupted, and the fifth element, aether, the quintessence, is as elusive as ever. We can plot changes in hydration (isohyets), temperature (isotherms), salinity (isohalides) and atmospheric pressure (isobars), but ultimately, they are all measures of different forms of the same thing (isomers): the damage we continue to do to our environment. Each scene in this video has been composited from multiple sources, mostly from around South Australia. No AI was involved. These are visions of a near future, in which the world has changed for ever. Signs of human habitation are in ruins, many species are extinct, while out of the shadows, we glimpse traces of the survivors and their biomorphic descendants .