The film unfolds in the fragile space between presence and concealment. The mask is not a face, but a threshold, a surface that hides as much as it reveals. Textures and shapes appear, fade, blur, and reform. The music, built from muted pulses, breaths, and resonant vibrations, amplifies this game of hide and seek, guiding the eye toward what emerges only to vanish again. A shifting dialogue between image, matter, and breath.

Cherubic Hymn is an AI-assisted visual meditation on Mokranjac’s sacred choral music. Through dreamlike, icon-inspired images of prayer, light, birds and human stillness, the film invites us to “lay aside all earthly cares” and enter the mystery of the Divine Liturgy. All vocal parts are performed by Sandra Dundjerski.

A haunting dark angel stalks frontman Axel through a vintage car chase and a feverish motorcycle flight. Rising from the ashes of a fiery crash, he realizes his relentless pursuer is actually his savior.

The discovery of a rather unusual treasure sets off a strange chain of greed and violence, revealing just how far a man is willing to go for gold.

ISTERICA is a radical biopolitical video-art performance that weaponizes institutional critique against the contemporary art market. Reclaiming the ancient etymology of the "vacant womb," the film stages an uncompromising manufacturing line where queer bodies are processed as raw materials, forced to endlessly recycle internal trauma into art pieces. Through a severe formal grammar of rigid zenithal angles and claustrophobic macro-close-ups, the somatic expression of the performers is stripped of narrative empathy, turning flesh, organic matter, and industrial metal into site-specific sculptures. The structural urgency of the piece is reinforced by an innovative, generative acoustic architecture. The entire soundscape was captured live using contact microphones embedded inside a physical metallic prosthesis; a dedicated router channeled these raw bodily frictions into an Ableton system that restricted raw noise into a rigid modal scale. The resulting audio acts as a literal sonic prison, echoing the systemic enclosure of the bodies. ISTERICA stands as a crucial, urgent inquiry into media syntax, somatic resistance, and the predatory economics of cultural spaces.

"Rewriting a Memory and Different Rooms" portrays an elderly man looking back on his life. He uses a pair of pencils as conductor's batons, directing large, drawn memory images that are erased and replaced by new ones. It is as if the aging man is creating the crescendo of his life before entering another world. He is in the gap between real memories, where sometimes only fragments remain, and fictional memories.

"Follow Dingdang to Learn Chinese Poems" is a series of AIGC-animated short videos dedicated to disseminating the essence of traditional Chinese culture. It employs elements such as ink wash animation, traditional opera music, and Chinese calligraphy—all featuring distinctive ethnic characteristics—to spread classical Chinese poetry and historical stories. Created collaboratively by Dingdang and her father, the production integrates various AI tools including Kuaishou Kling, DeepSeek, and MuseAI. Since its release both domestically and internationally, the series has garnered high view counts and positive social feedback. "Follow Dingdang to Learn Chinese Poems—The Three Stages of Loneliness " is based on 3 different works of ancient China.

In a flooded subway, a young woman drifts through hallucinatory visions before helping her mute, fragile mother perform a simple task: buying a metro ticket. Track 8 is a visceral descent into the opaque silence of illness and the inherited trauma that binds a mother and daughter

"Vision" reflects on the influence of AI. Created in dialogue and collaboration with AI. AI tools used: OpenAI’s ChatGPT for dialogue and code generation, Runway for image and video generation. Images uploaded to Runway were my own copyright.